Sometimes, I write poems
and wrestle words into bouquets:
amateurish sprigs of promises,
representing far too much hope—
Plucking the petals
to lovingly rearrange them:
C’est la nouveau chanson,
warbled in perfect polyphony.
Where our measures match up, I figured
we could compare notes,
even if it means pulling an all-nighter
in the name of harmonic progressions—
But, at last, I’ve embraced
dissonance too, and timing
just isn’t important to me anymore.